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  • Open a larger version of the following image in a popup: Haroon Mirza, After the Big Bang, 2014
    Open a larger version of the following image in a popup: Haroon Mirza, After the Big Bang, 2014
    Open a larger version of the following image in a popup: Haroon Mirza, After the Big Bang, 2014
    Open a larger version of the following image in a popup: Haroon Mirza, After the Big Bang, 2014

    Haroon Mirza

    After the Big Bang, 2014
    Digital picture frame, Marshall amp
    Marshall amp: 51 x 66 x 27 cm; LCD screen: 34 x 40 x 4 cm
    Marshall amp: 20 x 26 x 10 5/8 in; LCD screen: 34 x 40 x 4 cm
    Copyright The Artist
    Photo: Milena Wojhan
    Anfrage
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    Weitere Abbildungen

    • (View a larger image of thumbnail 1 ) Haroon Mirza, After the Big Bang, 2014
    • (View a larger image of thumbnail 2 ) Haroon Mirza, After the Big Bang, 2014
    • (View a larger image of thumbnail 3 ) Haroon Mirza, After the Big Bang, 2014
    • (View a larger image of thumbnail 4 ) Haroon Mirza, After the Big Bang, 2014
    After The Big Bang (2014) ist eine skulpturale Assemblage aus einem Gitarrenverstärker und einem darauf stehenden digitalen Fotorahmen, der ein Video eines Wasserfalls zeigt. Ein Rauschen dringt aus dem aufgedrehten...
    Weiterlesen
    After The Big Bang (2014) ist eine skulpturale Assemblage aus einem Gitarrenverstärker und einem darauf stehenden digitalen Fotorahmen, der ein Video eines Wasserfalls zeigt. Ein Rauschen dringt aus dem aufgedrehten Verstärker und lässt zunächst fälschlicherweise vermuten, dass der Ton von der Aufnahme des fallenden Wassers stammt. Haroon Mirza verbindet hier Objekte und Interferenzen und schafft eine Situation, in welcher der Künstler mit der Wahrnehmung der Rezipient/innen spielt. Mirza fordert uns auf, die Wahrnehmungsunterschiede zwischen Lärm, Klang und Musik zu überdenken, und stellt die Kategorisierung kultureller Formen in Frage und schafft somit sensorische Neuverknüpfungen.


    After The Big Bang (2014) is a sculptural assemblage of a digital photo frame standing on a guitar amplifier, running a video of a waterfall. The hissing from the cranked amplifier initially leads to the false assumption that the sound is from the recording. However, the title After the Big Bang indicates that this audible white noise originated from recordings of the Big Bang. Haroon Mirza connects objects and interferences and creates a situation in which he intentionally plays with the recipient's perception. Mirza asks us to reconsider the perceptual differences between noise, sound and music, challenging the categorization of cultural forms and thus re-creating sensory connections.
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