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One Hundred Poets | Jürgen Partenheimer

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  • One Hundred Poets

    Jürgen Partenheimer
  • Die Werkgruppe der One Hundred Poets ist eine Abhandlung über den Zustand des kritisch-idealen Raumes der Inspiration, in dem die...

    Die Werkgruppe der One Hundred Poets ist eine Abhandlung über den Zustand des kritisch-idealen Raumes der Inspiration, in dem die Kunst unterschiedlichen Kräften ausgesetzt ist.

  • One Hundred Poets 2015 – 2021 100 Autoren und Autorinnen 100 Gedichte aus 29 Ländern 54 Werke, Öl auf Leinwand...

    One Hundred Poets

    2015 – 2021

     

    100 Autoren und Autorinnen

    100 Gedichte aus 29 Ländern

    54 Werke, Öl auf Leinwand

    201 Werke auf Papier

     

     

  • 'Like the poet who plays with the resonance of words, with the mere echoes of what they mean, Partenheimer approaches...

    "Like the poet who plays with the resonance of words, with the mere echoes of what they mean, Partenheimer approaches his subject matter at the very boundary of its corporeality, at the very point of transition between its materiality and its immateriality."

     

    – Ivo Mesquita, Chefkurator zeitgenössische Kunst, Pinacoteca Do Estado, São Paulo

  • Jürgen Partenheimers Werkgruppe der One Hundred Poets (2015 - 2020) gleicht der Utopie als einer Versammlung ohne festgelegten Ort. Sie...

    Jürgen Partenheimers Werkgruppe der One Hundred Poets (2015 - 2020) gleicht der Utopie als einer Versammlung ohne festgelegten Ort. Sie zeigt eine offene und inspirierte Auffassung imaginärer Dialoge mit der Welt der Lyrik jenseits nationaler, kultureller und sprachlicher Grenzen.

  • 25 de Abril

     

    Esta é a madrugada que eu esperava

    O dia inicial inteiro e limpo

    Onde emergimos da noite e do silêncio

    E livres habitamos a substância do tempo

     

    – Sophia de Mello Breyner

  • 'Ein Gedicht und sein inneres Bild als Spiegelung und gleichzeitige Eröffnung für eine Bildvorstellung. Jedes Kunstwerk, jedes Gedicht bildet zwischen...

    "Ein Gedicht und sein inneres Bild als Spiegelung und gleichzeitige Eröffnung für eine Bildvorstellung.

    Jedes Kunstwerk, jedes Gedicht bildet zwischen sich und der Wirklichkeit einen bedeutsamen Raum, der das Unausgesprochene wahrt."

     

     

    – Jürgen Partenheimer

  • Jürgen Partenheimer, Half Forgotten Memories 100 Poets #78a Mary Oliver, 2019
    Artworks

    Jürgen Partenheimer

    Half Forgotten Memories 100 Poets #78a Mary Oliver, 2019
    Collage with watercolor, pencil and ink on paper
    43 x 51 cm
    16 7/8 x 20 1/8 inches
  • 'What happens in The One Hundred Poets is answering like with like in such a way that renders any effort...

    "What happens in The One Hundred Poets is answering like with like in such a way that renders any effort at further speech superfluous. Perhaps the last word should go to Marianne Moore, who observed that: “The deepest feeling always shows itself in silence.” What these works by Jürgen Partenheimer do is to respond to the poems he has chosen along lines that not only refuse to disturb that silence, but deepen and enrich it in ways that, as the genuine always does, strike us as both unexpected and strangely inevitable."

     

    – John Burnside, Dichter und Autor

  • Jürgen Partenheimer, Y queda el negro 100 Poets #53b, Clara Janès, 2018
    Artworks

    Jürgen Partenheimer

    Y queda el negro 100 Poets #53b, Clara Janès, 2018
    Watercolor, pencil and ink on paper
    27 x 34 cm
    10 5/8 x 13 3/8 inches
  • 'Partenheimer perceives exhibition spaces as ‘centres of gravity’, sites where the “space between” unfolds to create a polymorphic image. His...

    "Partenheimer perceives exhibition spaces as ‘centres of gravity’, sites where the “space between” unfolds to create a polymorphic image. His is a philosophical investigation, forming new models of representation that create series of alternative perceptions where the lyricism of the imagery challenges conventional interpretations of time and space."

     

    – Nigel Prince, Director, Artes Mundi, Wales

  • Jürgen Partenheimer, The Earth´s Eye 100 Poets #76a, Alice Oswald, 2019
    Artworks

    Jürgen Partenheimer

    The Earth´s Eye 100 Poets #76a, Alice Oswald, 2019
    Watercolor, pencil and ink on paper
    50 x 68 cm
    19 3/4 x 26 3/4 inches
  • BELKİ SESSİZ

     

    Ey dünya, küçüldükçe küçüldün içimizde
    Durmadan birikiyor söz balçığı
    gölün dibinde
    Durmadan sesini yitiriyor her şey

     

    – Gonca Özmen (1982)

  • 'Partenheimer redefines the museum space as a dynamic place. Precisely because the museum can be stripped of any predominant identity,...

    "Partenheimer redefines the museum space as a dynamic place. Precisely because the museum can be stripped of any predominant identity, Partenheimer manages to lend the same space ever-new meanings. Thus, he not only succeeded in causing wonder and drawing attention: he also managed to impose a new identity on the museum space.  With extreme effectiveness Partenheimer succeeds in creating a new universe, in which works of art are signs and signals that open the gates of a metaphysical, spiritual reality."

     

    – Jan Hoet, Director, S.M.A.K. Gent

  • Jürgen Partenheimer, The Cavern of the Mind 100 Poets #22, W. B. Yeats, 2016
    Artworks

    Jürgen Partenheimer

    The Cavern of the Mind 100 Poets #22, W. B. Yeats, 2016
    Oil on canvas
    50 x 45 cm
    19 3/4 x 17 3/4 inches
  • Jürgen Partenheimer, Drenched Moon Rising 100 Poets #44a, Yoshimasu Gozo , 2018
    Artworks

    Jürgen Partenheimer

    Drenched Moon Rising 100 Poets #44a, Yoshimasu Gozo , 2018
    Watercolor and pencil on paper
    40 x 53 cm
    15 3/4 x 20 7/8 inches
  • МУЗЫКА


    В ней что-то чудотворное горит,
    И на глазах ее края гранятся.
    Она одна со мною говорит,
    Когда другие подойти боятся.
    Когда последний друг отвел глаза,
    Она была со мной в моей могиле
    И пела словно первая гроза
    Иль будто все цветы заговорили.

     

    – Anna Achmatova (1889 – 1966)

  • „Die Bildwelt von Jürgen Partenheimer nimmt durch ihre Leichtigkeit, ihren Verzicht auf lautstarke Gesten und aufwendige Formate, ihre formale und...

    „Die Bildwelt von Jürgen Partenheimer nimmt durch ihre Leichtigkeit, ihren Verzicht auf lautstarke Gesten und aufwendige Formate, ihre formale und farbige Zurückhaltung unmittelbar gefangen. [...] Dem Künstler gelingt es auf unvergleichliche Weise, im Bild die Vorstellung einer objektiv erfahrbaren Welt hinter sich zu lassen und sie in ein denkendes Sehen zu verwandeln.“


    – Carla Schulz-Hoffmann, Chefkuratorin Pinakothek der Moderne München

     

  • Jürgen Partenheimer, A gust of wind 100 Poets #8, Du Fu, 2015
    Artworks

    Jürgen Partenheimer

    A gust of wind 100 Poets #8, Du Fu, 2015
    Watercolor and pencil on paper
    60.5 x 78.5 cm
    23 7/8 x 30 7/8 inches
  • 'Partenheimer's work invites you to not just unsee your surroundings but to practice being in a particular kind of space,...

    "Partenheimer's work invites you to not just unsee your surroundings but to practice being in a particular kind of space, where, within the work itself, the marks, shapes, spaces and colours must fall away, dematerialize and disentangle themselves from their own references. His work proposes a multiplicity of folds and gaps in the fabric of our experience that change the cartography of the perceptible, the thinkable and the feasible." 

     

    – Aoife MacNamara, NSCAD University, Halifax, Kanada

     

     

     
  • Jürgen Partenheimer

    Biografie
  • 'Jürgen Partenheimer, born in Munich 1947, who has held numerous exhibitions in international museums is one of the most important...

    "Jürgen Partenheimer, born in Munich 1947, who has held numerous exhibitions in international museums is one of the most important and singular artists in the current German scene. His distance towards any type of expressionism, his resolution on keeping off the beaten track and his capability of reconciling a formal project with a constructive and postminimalist background, a poetic intensity and serious theoretical discourse make him an extraordinary artist."

     

    – Juan Manuel Bonet, Director, IVAM, Centre Julio Gonzalez, Valencia

     

     

    Studio Vancouver (2014) | Photo: David Simmonds

  • Jürgen Partenheimer
    Artists

    Jürgen Partenheimer

    Jürgen Partenheimer (*1947 in München, DE) entwickelt sein Werk konsequent aus der Abstraktion und gehört international zu den herausragenden deutschen Künstlern seiner Generation. Teilnahme an den Biennalen von Paris, São Paulo und Venedig. Einzelausstellungen u.a. Nationalgalerie Berlin, Stedelijk Museum, Amsterdam, IVAM Valencia, National Museum of Fine Art, Peking, S.M.A.K Gent, IKON Gallery Birmingham, Kunstmuseum Bonn, Pinakothek der Moderne, München, Deichtorhallen Hamburg, Sammlung Falckenberg, Contemporary Art Gallery, Vancouver, Musée Ariana, Genf. Auszeichnungen u.a. National Endowment for the Arts, New York; Preis der spanischen Kunstkritik, Madrid; Großer Preis für bildende Kunst NRW, Düsseldorf; EXO Experimental Award, São Paulo; Nirox Foundation Grant, Johannesburg; Distinguished Residency Award der Emily Carr University, Vancouver.

     

     

    Studio Tucson (1982) | Photo: Helga Teiwes

  • Publikationen (Auswahl)

    Pinakothek der Moderne (2014) | Photo: Nicole Wilhelms
    • Pinacoteca do Estado de São Paulo (2004)

      Pinacoteca do Estado de São Paulo (2004)

    • Ikon Gallery Birmingham & Kunstmuseum Bonn (2008)

      Ikon Gallery Birmingham & Kunstmuseum Bonn (2008)

    • Pinakothek der Moderne München | Deichtorhallen Hamburg | u.a. (2014)

      Pinakothek der Moderne München | Deichtorhallen Hamburg | u.a. (2014)

    • Musée Ariana Genève (2015)

      Musée Ariana Genève (2015)

    • S.M.A.K. Gent (2002)

      S.M.A.K. Gent (2002)

    • Kienbaum Artist's Books (2013)

      Kienbaum Artist's Books (2013)

    • White Cube Gallery (2017)

      White Cube Gallery (2017)

    • São Paulo Tagebuch (2005)

      São Paulo Tagebuch (2005)

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