overview

Mexican artist Gabriel Rico (*1980 in Lagos de Moreno, MX) connects seemingly disjunctive objects in his sculptures and installations by combining and interrelating found natural materials with everyday objects. In reference to Arte Povera, he utilizes materials such as stone, wood or wheat and playfully puts them in relation to consumer products. Rico’s assemblages made of natural and industrial objects examine the relationship between humans and nature, while at the same time creating a new and original narration. Fascinated by philosophy and science, Rico investigates form and space, using technological tools and scientific models as metaphors for collective memory. He sees himself as a gatherer of the fragments of contemporary existence. By deconstructing and re-textualizing, he is able to ironically and poetically comment on the ambivalence between the natural environment and man-man principles of order. Gabriel Rico took part in the 58th Venice Biennale in 2019. His works have been shown in numerous solo exhibitions, including the Power Station in Dallas (2017), the Aspen Art Museum (2019), the Beiqiu Museum of Contemporary Art in Nanjing (2022) and the ICA in San Diego (2021).



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works
  • Gabriel Rico, Because Nothing is More Pleasant to the Eye Than Green Grass Kept Finely Short (99cm), 2022
    Because Nothing is More Pleasant to the Eye Than Green Grass Kept Finely Short (99cm), 2022
  • Gabriel Rico, Fauna VI, 2019
    Fauna VI, 2019
  • Gabriel Rico, Metawoman N4, 2021
    Metawoman N4, 2021
  • Gabriel Rico, VII from the series -Nimble and sinister tricks (To be preserved with out scandal and corruption) 2018 - 2023-, 2020
    VII from the series -Nimble and sinister tricks (To be preserved with out scandal and corruption) 2018 - 2023-, 2020
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