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    Open a larger version of the following image in a popup: Sébastien de Ganay, CERAMIC 68, 2020
    Open a larger version of the following image in a popup: Sébastien de Ganay, CERAMIC 68, 2020
    Open a larger version of the following image in a popup: Sébastien de Ganay, CERAMIC 68, 2020

    Sébastien de Ganay

    CERAMIC 68, 2020
    Ceramic
    37 x 26 cm
    14 5/8 x 10 1/4 inches
    Copyright The Artist
    Photo: Dirk Tacke
    € 5,000
    Sébastien de Ganay, CERAMIC 68, 2020
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    Enquire
    %3Cdiv%20class%3D%22artist%22%3ES%C3%A9bastien%20de%20Ganay%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECERAMIC%2068%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2020%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ECeramic%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E37%20x%2026%20cm%3Cbr/%3E%0A14%205/8%20x%2010%201/4%20inches%3C/div%3E

    Weitere Abbildungen

    • (View a larger image of thumbnail 1 ) Se Bastian De Ganay Ceramic 68 Sdg69 Dirk Tacke F
    • (View a larger image of thumbnail 2 ) Se Bastian De Ganay Ceramic 68 Sdg69 Dirk Tacke F
    • (View a larger image of thumbnail 3 ) Se Bastian De Ganay Ceramic 68 Sdg69 Dirk Tacke F
    CERAMIC 68 (2020) is a work that defy clear categorization. Sébastien de Ganay consciously places his works between art and design, between sculpture and object, in order to question processes...
    Weiterlesen
    CERAMIC 68 (2020) is a work that defy clear categorization. Sébastien de Ganay consciously places his works between art and design, between sculpture and object, in order to question processes of perception and categorizations. As a representative of experimental painting and sculpture, de Ganay combines abstract, representational and functional elements into objects with a painterly aesthetic in this series of works. He forms two cylinders for each CERAMIC, between which he places a round plate as a connecting element, whereby the glaze of the lower cylinder differs in color from the upper two parts. The artist often experiments with basic geometric structures, which he combines with influences from the world of everyday objects. The ceramics are reminiscent of vases or lamp stands and create a feeling of abstract familiarity that playfully challenges the viewer to participate in the mental game.
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